admin 09 Dec 2017 0 Comments Authentic Cadence Tonic triad preceded by some for of V or vii(dim) Perfect Authentic Cadence V-I progression with both in root position, and tonic in the soprano of I. Imperfect Authentic Cadence Any authentic cadence that isn’t PAC. Root position IAC: 3 or 5 in soprano of I Hire a custom writer who has experience. It's time for you to submit amazing papers! order now Inerted IAC: V-I with one or both inverted Deceptive Cadence When V progresses to any chord other than I. (I-vi) Half Cadence Ends with a V hord, and can be preceded by any other chord. No leading tone in 1st chord. Phrygian Half Cadence iv6 – V Half Cadence in minor key. No leading tone in iv6. Plagal Cadence IV – I progression. No leading tone in IV. Cadential Six-Four Chord A tonic six-four that delays the arrival of the V chord that follows it. ex: I64 – V – I ex: I64 – V – vi Passing Six-Four Chord Bassline goes up or down by step.Chord in the middle is the 64 chord. ex: I6 – V64 – I Pedal Six-Four Chord Root of I chord remains constant, double the 5th of 2nd chord. ex: I – IV64 – I ex: V – I64 – V Related posts: Chapter 7 MUSC 1010 Final MUS 111 Unit 3 Music Theory TMTA Level 9 Vocabulary Mu 111 Midterm Authentic Cadences Cadences ID Cadences