| Artusi-Monteverdi controversy |
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| Artusi, a conservative composer, thought Monteverdi’s music was awfully composed because of traditional counterpoint and harmony (prima pratica). Monteverdi composed for the text (seconda pratica). |
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| Monteverdi’s method of composing based on the text. |
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| the art, architecture, and music of the period 1600-1750. dervied from the word barroco meaning pearl of irregular shape (rough bold sound in music with excessive ornamentation.) |
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| belief that musical moods could and should be used to influence the emotions, or affections, of the listeners. relates to the idea of greeks, music can move the soul. |
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| Solo madrigals, solo arias, and solo recitatives (solo vocal music.) |
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| a bass line tha tprovided a never-ending foundation for the meoldy |
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| numerical shorthand placed with the bass line that tells the player which unwritten notes to fill in above the written bass note |
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| means “work” a dramatic work or play set to music |
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| The text that conveys the story of the opera |
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| 1570’s discussion of the nature of ancient Greek music |
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| dramatic style, theater style, vocal expression between song and speech |
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| musically heightened speech, tells the audience what has happened |
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| halfway between a recitative and a full-blown aria, fewer repeating pitches, more rhythmically elastic |
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| italian for song, more florid, more expansive, and more melodious, more melismas |
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| a composer rival of Peri,wrote Le nuove Musica |
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| described techniques for singing with ornamentations |
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| repeating percussive effect placed on a single pitch |
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| a instrumental piece for keyboard or other instruments, technical dexterity required. Orfeo opens with a toccata |
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| Year Peri produced Orfeo (first opera) |
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| son of Apollo falls in love with a human, Euridice, who dies, He goes into hades to save her |
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| escort and composer of vocal pieces |
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| a bass line that insistently repeats |
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| baroque suite (4 movements and order) |
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| Vingt-quatre violins du roi (twenty four violins of the kind) |
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| academie royale de musique (Royal Academy of Music) |
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| Francois Couperin (1668-1733) |
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| L’Art de toucher le clavecin (The Art of Playing the Harpsichord, 1716) |
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| Jean Philippe Rameau (1683-1764) |
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| Traite de l’harmonie (Treatise on Harmony, 1722) |
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| Interpretation of Harpsichord music |
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| Purcell composed __ Operas. |
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| Handel and the Royal Academy of Music |
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| Johann Sebastian Bach (1685-1750) |
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| Bach Werke Verzeichnis (BWV) |
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| The Well-Tempered Clavier (WTC) |
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| No women sang in Bach’s choir because… |
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| St. Thomas church in Leipzig when Bach directed |
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