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| SONG FOR SOLO VOICES WITH ORCHESTRAL ACCOMPANIMENT |
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| variation of a fugue subject in which the orignal time values of the subject are lengthened |
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| HYMN TUNE SUNG TO A GERMAN RELIGIOUS TEXT |
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| SHORT COMPOSITON FOR ORGAN; REMINDS THE CONGREGATION OF THE MELODY BEFORE A HYMN IS SUNG |
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| A GROUP OF SINGERS PERFORMING TOGETHER, GENERALLY WITH MORE THAN ONE TO APART |
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| -Variation of a fugue subject in which the original time value of the subject are shortened |
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| A PIECE PERFORMED B 3 OR MORE SOLO SINGERS |
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| Variation of a fugue subject in which intervals of the subject is reversed in a direction |
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| DRAMTIST WHO WRITES THE LIBRETTO |
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| SHORT MUSCIAL COMPOSITION, PURELY ORCHESTRALL; SETS THE OVERALL DRAMATIC MOOD |
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| organ point; single tone usually in the bass, which is held while the other voices produce a series of changing harmonies against it |
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| VOCAL LIN IN OPERA; IMITATIES THE RHYTHMS AND PICTCHS FLUCATIONS OF SPEECH |
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| variations of a fuge subject in which the subject is presented by beginning with its last note and proceeding backwards to the first |
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| refrain; a repeated section of music usually played by the full orchestra or tutti |
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| compositional procedure used in a fugue in which a subject is imitated before it is completed, one voice tried to catch another |
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| A SET OF DANCE INSPIRED MOVEMENTS |
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| emotional states like joy, grief, and agitation |
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| second presentation of the subject in a fugue, usually in the dominant scale |
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| made up of a bass part usually played by two insrtuments; a keyboard plus a low melodic instruments (organ or harpichord and cello or basson) |
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| Transitonal section ina fugue between presentation of a subject, which offeres new material or fragments of the subject |
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| the full orchestra or larger group that contrasted a smaller group of of soloist |
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