| With the movements done, according to the foley order of operations, the next thing the artist will begin to record is the. |
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| Once you start desigining the backgrounds you find you are having trouble with an obviously repetitive loop. This phenomena is known as the. |
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| The process of putting the buy takes for animation back to DAT in script order. |
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| THIS IS THE MATERIAL CONTAINED ON THE PFX TRACK. |
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PRODUCTION SOUND EFFECTS.
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these sound effects are anything that is not dialogue that happened to find its way into the production track
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| THIS IS SAID TO ADD REALISIM TO THE FILMS SOUND TRACK. |
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| SHEET SPAN 4:10:26:17 END: 01:25:13:20, SOLVE FOR DROP FRAME |
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| In order to help the viewer identify the location of the car as being in a parking garage, as well as to put the viewer in that place, the editors will need to build? |
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| WHAT IS A RESPONSIBILITY OF THE FOLEY RECORDIST? |
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| One of the reasons that the director wanted to cut digitally is because they would only have the ___________ of the production audio on the MAG STRIP, is they cut on film. |
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| THE F KEY WILL FADE FILES IF _____________ IS ENGAGED. |
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| THE_________________ WILL CHOOSE THE MIC FOR THE FOLEY SESSION |
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| IN MOTION PICTURE THE EMOTION IS USUALLY SAID TO COME FROM THE |
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| WHAT IS PRO TOOLS SHORTCUT KEY COMBINATION FOR REPEAT PAST TO FILL SELECTION? |
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| A__________ GROUP SUCH AS THE LA MAD DOGS WOULD BE USED TO PROVIDE EFFORT SOUNDS FOR THE FIGHT SEQUENCE AT THE BEGINNING OF THE REEL. |
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| IN PRO TOOLS, TO CREATE GHOST REGIONS FOR YOUR SPOT SESSION, YOU HIGHLIGHT THE DURATION OF THE EFFECT AND PRESS______ TO CONSOLIDATE THE REGION. |
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| ALLSO KNOWN AS VIDEO REFFERENCE OR HOUSE SYNC. |
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| WHEN CREATING YOUR TEMPLATE, SCENE CHANGES WILL HAVE A___________ OVERLAP |
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| ONE OF THE REASONS WE SPOT |
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| WHEN THE ADR RECORDIST LOADS THE PRODUCTION AUDIO INTO THE DAW IT WILL COME FROM NORMAL CHANNEL_______ ON THE S-VHS TAPE |
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| HOW MANY FRAMES DO YOU LEAVE BETWEEN TAKES ON A LAYBACK FOR ANIMATION? |
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| A RECORDING MADE AT A SPECIFIC TIME OR A LINE OF DIALOGUE FOR ANIMATION THAT IS RECORDED THREE TIMES. |
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| THIS IS THE FIRST MOVIE WITH SYNC’ED SOUND |
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| THIS IS A LARGE ACOUSTICALLY TREATED ROOM WITH CEMENT FLOORS |
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| YOU ARE BEGINNING TO PREPARE TO BUILD YOUR BACKGROUND FOR THE REEL. THE FIRST THING YOU BUILD IS A TEMPLATE THAT IS KNOWN AS A |
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| THIS IS THE SPEED WE RECORD AUDIO AT ON THE SET |
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| The supervising sound editor calls you while you are out and tells you the backgrounds need to be rerecorded because they are conflicting with the dialogue. which mic pattern will leave open space in the center of the stereo image? |
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| This is an editing technique; where you clear the silence befor and after your sound? |
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| After a film has been converted to video a______________ will need to be applied to slow the audio down to patch the new video |
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when the reels of dialogue arrive, the digital assistant will record in the quide track and use the______ to assemble the original production audio onto the work track.
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| after your basic effects are in place you can______ them by adding elements such as subconcious sounds or processed sounds to enhance overall designed sound. |
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| Our course director does not just want us to regurgitate facts for quizzes and tests, he wants us to be able to________ them to practical applications |
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| Which type of mag stock has a guide track |
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| you will often need to_____________ the sound effects you are layering with EQ’s or filters to make them all work together. |
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| How many time is VITC written in a frame of video? |
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| record online at TIME CODE or___________ lock is one of the two online record preferences |
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| What would you fine on channel two of the video transfer? |
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| When the goon’s car explodes at the end of the chase you decide to use the sound of cellophane being handled as a layer of the fire. this would be an example; of using______________to conceptualize |
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| sound with no visual congruence |
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| When editing the dialogue, you should monitor at a level of 70-90 DB, in order to ensure the best___________ |
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| What parameter of 5.1 surround pan window is used to bleed signal into the other channels of the path? |
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| When i edit my film in this way,I shoot to film and then go strait into a non-linear editor |
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| The dialogue that will need; to be recorded during an ADR session will be placed on the________. |
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| Re-syncing cues that; are not in time is the job of the foley_________. |
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| Once the dialogue has been prepared, the dialogue editor will split out tracks that most liekely will not; be used during rerecording; These are known as______ |
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| In order to make the most_____ frequencies in the human voice stand out, you could boost the frequencies between 1khz-3.1khz |
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| Which position in audio post deals; with arming tracks and documenting what has been recorded? |
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| As you are designing your backgrounds you should create layers for foreground, midground and background so the mixer can; match the_______ |
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| When you get to a studio, after a field recording excursion, you will prep the files for_________ by trimming and cleaning ambiences, as well as removing artifacts. |
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| Not counting interns or runner, what is the first rung in SFX editor; hierarchy? |
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| One of the things the foley supervisor will look for in a stage is the_______, to ensure the artist will be able to move from one surface to another with as little setup and tear-down as possible |
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| Telling the story of a film through sound? |
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| What would you find in the upper left corner of the screen on a video transfer? |
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| These are 2 types of flatbed film editors |
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| This is considered to be the content of a film |
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| The foundation of your ambiences will be made up of_________ |
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| You start replacing ghost regions with sound effects by selecting; a ghost region, holding _________ dragging the file; you wish to use; onto the track (MAC 7.1) |
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| The fundamental frequencies of the femal voices are_______? |
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| This cloth is good for; prom scenes and womens gowns |
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| While you are recording your BYS, you note that the x-y pattern you are using is giving too much of a bump in the center of the image. Which pattern listed would be better alternative to retain smooth panning information? |
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| When the sound dedsigner bounces his designed sounds 5.1 tracks this is known as |
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| A scene cuts to an on-screen shot of a car window being smashed. This would be a _________ sound effect |
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| When using the pop up takes; menu, to comp; a line of dialogue, it is; important to have _______ operates on all related takes checked. |
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| Conceptualizing sounds; often requieres; the use of ___________, wheere by a sound is derived; as a result of visual association |
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| ______________ are not often used for movies due to the fact that in hollywood directors and producers want; things bigger, and louder. |
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| This mic is great for recording stereo; ambiances or groups of animals |
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| When building an effect what will result from the use of too many sounds in a particular frequency range? |
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| What is the most commonly used microphone for recording foley? |
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| When; creating a worktape the timecode framerate that should be used is 29.97___________ |
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This is the last step in foley recording, these sounds are for the sound designers.
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| TRUE or FALSE- When spotting foley, its allways necessary to spot each individual step. |
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| With the project; being; shot on film, the frame rate of the audio will be 30fps with a _____ HZ speed reference |
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What person is responsible for levels going to tape during a foley session?
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When makeing a work tape the hour should match the _____?
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| Solve for drop frame:start: 02:07:35:20 end:05:05:30:22 |
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| What is the process of converting the film to video called? |
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| In pro tools, you can move the end of the three beep cue to the beginning; of the ghost region, representing the line you are going to record, by pressing____ |
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| The part of the script you could read to determine the backgrounds needed |
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| As soon as the goon hot wires the car the director; wants the van halen song t running with the devil to play from the car stereo. This would be an example of ___________ source music |
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The director has decided to shoot on film, as a result the frame rate of the picture will be
______ |
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| With command focus mode (a-z) engaged; you can move a selection onto the next track by pressing_______key |
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| Due to their understanding of props they will be recording, the foley artist will choose the _____ for the session |
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| A reference that tells you how fast the media is moving is a ______ reference |
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| Once you have the sound effect in sync you should timestamp selected by pressing______ |
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| When reading a script for sound what will tell you the location, time of day, and possibly the mood of the scene? |
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| Who cuts in basic SFX such as door slams and lever pulls? |
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| Keeping with industry standards, the____ will be written twice per every field of video, in lines 17&19 of the work tape. |
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| The supervising sound editor called up and requested the artist record the sound of glass breaking, and a melon being smashed, Tese elements should be |
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| Once the session is complete, you hand it off to the editor. In order to reduce the noise floor, they will need to________-. |
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| Had the director decided to cut on film, the project would most likely make use of ________ in order to put multiple audio perspectives on a reel. |
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| While cutting perspective splits, you come across a scene where a character sitting just offscrean is speaking to a character on screen. since they are sharing the same space the line should be placed on the______ |
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| When you recieve a quicktime export make sure the video is not compressed with______ turned on |
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| I need to export my region definition on my pc |
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| After a few ineffective punches, the bad guy finally connects knocking our hero off of her feet. the director tells you he wants that punch to be HUGE, and sound very heavy and mean. This would indicate he wants a _________ sound effect |
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| What surface might you use in place of tile? |
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| What are the numbers printed on both the workprint and the mag stripe film to maintain sync between the two. |
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