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| Stevie Wonder, funk, instrumentation (including trumpet and clavinet) |
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| Blind Lemon Jefferson, 12-bar blues, sexual innuendo, rhythmic freedom |
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| Ramones, Punk, Parody of Beach Boys style, Sick bubblegum pop |
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| Chuck Berry, based on an oldtime american melody, double stop guitar, early rock n roll |
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| Al Jolson, Tin Pan Alley music, featuring belting vocal style |
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| Nirvana, Alternative rock, elements of punk & metal, Seattle sound |
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| Fletcher Henderson & His Orchestra, use of upbdeat, danceble rhthms, saxophone solo |
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| youve got another thing coming |
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| judas preist, metal, 2nd british invasion, MTC, not blues-based |
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| Bob Dylan, compare style to peter, paul & Marys version, folk song, social/political |
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| Jeannie with the Light Brown Hair |
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| Stephen Foster, Strophic form, 19th century sentimental ballad |
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| Grandmaster Flash, rap by melle mel, portrayal of ghetto life, influence on later hip-hop |
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| Elvis Presley, Verse-chorus form superimposed over 12-barblues, early rock n roll |
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| Bob Marley, example of reggae, rastifarian belief system, social/political commentary |
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| The Beach Boys, Sectional form, use of the theremin, influenced Beatles’ experiments |
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| Santana, example of multifultural rock, mostly instrumental, melodic guitar solos, in spanish |
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