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Analogue D-Sub
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Carries 8 channels one way. Typical
configurations are
Dsub-TRS or Dsub-XLR(M/F)
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D-Sub Digital
AES/EBU – Technically not an official spec. Pin order must
be double-checked for proper cabling.
8 channels balanced – every 3 pins carries 2 channels, just
like a regular AES xlr cable.
8 channels in AND out possible on 1 Dsub connector,
although sometimes only one way is given.
TDIF (Tascam devices only mostly) – 8 channels
unbalanced – 8 out pins/8 in pins/8 ground
Specific 110 Ohm cables recommended for both
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Optical Digital
Optical SPDIF – Still only 2 channels
ADAT – Alesis protocol for 8 channels of audio (Toslink
only)
Least expensive cables
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RCA Analog
1 channel of unbalanced signal per port
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RCA Digital
SPDIF – 2 channels of digital signal unbalanced
75 Ohm cable recommended
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XLR Analog
1 channel of balanced audio for mic signals or balanced line level.
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XLR Digital
AES/EBU – 2 channels of digital signal balanced per port
for input or output.
110 Ohm cable recommended
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Peripherals & Session Window |
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Peripherals, Session, Transport |
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Setup > MIDI > MIDI Beat Clock |
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MacHD/Applications/Digidesign/Protools |
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MACHD/Library/Application_Support/Digidesign |
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MACHD/User/Home/Library/User Preferences |
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Begin with a sound of your choice, list 3 pro tools functions you could add to the sound to make a uniquely different sound |
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Programming Process EX. 1 (Snare) |
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Reverse Lo-FI (Distortion) Reverb Automation Decay Gate – Mix % (8th)
*Also Use Elastic Audio to make shorter or longer |
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Lo FI Reverb/Gate Mod % / Delay Time (AUTO) Parellel (DYN Pitch) |
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Prefer CMD8 over Euphonix, Why? |
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MADI Interface Uses what? |
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What do you use to connect Sync I/O |
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Which window do you use to setup a Physical I/O? |
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Control Buffer size/ voice, Delay Compensation |
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Where do you setup Time Code Frame Rate? |
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Assign multiple outputs track |
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