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| Accent by rise of pitch, rather than stress |
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| Accent by stress or reinforcement |
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| Accent on a beat other than the downbeat, e.g., beat three in common time |
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| Accent on a normally unaccented beat |
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| Accent by longer duration of a note (ex. Tichelli’s Vesuvius) |
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| Accent by forcing / pressure |
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| Very short and detached; equivalent to the staccato from Couperin to Beethoven |
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| Two movements should be connected with no break, the one following immediately after the other. |
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| Two movements should be connected with no break, the one following immediately after the other. |
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| Two movements should be connected with no break, the one following immediately after the other. |
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