|
____ mode starts on D and its hypo____ mode starts on
Hire a custom writer who has experience.
It's time for you to submit amazing papers!
order now
( D is finalis)
|
|
|
|
____ mode starts on E and hypo_____ starts on B
(Finalis is E)
|
|
| Phyrigian and Hypophrygian Mode |
|
|
____ mode starts on F and hypo____ starts on C
(Finalis is F)
|
|
| Lydian and hypolydian mode |
|
|
________mode starts on G and hypo _______ starts on D
Finalis is G
|
|
| Mixolydian and hypomixolydian |
|
|
______ mode starts on A and hypo______ starts on E
(Finalis is A)
|
|
| Aeolian and hypoaeolian mode |
|
| Finalis is another way of saying what? |
|
|
| The reciting tone is also known as what ? Also how do you find this tone? |
|
|
The reciting tone is also known as the Dominant (V) of the tonic or Finalis –
IE- If the Finalis is F -the mode is Lydian – and the V of an F scale is C – therefore your reciting tone is C and it makes up the Hypolydian scale.
|
|
| What type of motion is forbidden in 16th century counterpoint in a melodic line? |
|
| “similar/hidden/direct” – 5th’s, 8th’s, 12th’s, and unisons. |
|
| What must happen when approaching an perfect interval? |
|
| 1– one of the 2 voices must move by step, 2– The note preceeding the perfect interval must form a consonance, and 3– the notes preceeding the perfect interval must be WHITE notes. |
|
| What kind of whole note can occur ONLY on a strong beat? |
|
|
| what kind of note can only occur on a half note beat? |
|
| dotted half note ( ie do not tie from a shorter to a longer note value) |
|
| Can you write syncopated half notes? |
|
| No, they are rare in this literature.; – another way of thinking of this is NEVER tie from a weak quarter note. |
|
|
What are some tendencies for points of imitation?
( Ie: they start slow and speed up later in the peice)
|
|
|
1-Start piece with a whole note or longer
2. avoid placing a long value in the middle of a phrase ( dotted whole note or longer)
3. After a point of imitation begins – and speeds up use Quarter notes liberally.
4.; Use pairs of 8th notes only occasionally
|
|
| What does first and 2nd species counterpoint mean? |
|
| first is note against note ( whole notes) and 2nd is two notes against one ( half notes agaisnt whole) |
|
| Name the perfect consonances: |
|
|
| Name the Imperfect consonances: |
|
|
| Name the dissonant harmonic intervals: |
|
| 2, 4, 7, 9 , 11, and ALL DIM and AUG intervals… |
|
| What are some types of motion in two voices? |
|
| Parallel, Similar, Oblique, and Contrary |
|
| What must happen when two voices start together on white notes? |
|
| They MUST begin with a perfect consonance!!! |
|
| the first note of the piece has to be atleast a _____________ in length. |
|
|
| The final cadence of a piece must be one of two things…. |
|
| Unison or an Octave! – AND the motion must be STEPWISE in BOTH voices. |
|
|
Perfect intervals must be approached by what?
;
What is the ONLY exception?
|
|
|
Perfect intervals must be approached by contrary or oblique motion ( no parallel; or similar motion unisons, 5th or octaves)
;
**The only exeption is : sometimes a P5 may be approached by similar motion – and in this case only one of the voices has to move by step.**
|
|
| How many consecutive Parallel 3rds or 6ths is acceptable? |
|
| 3… but 4 is the absolute maximum!! |
|
| Consonant intervals larger than _______ are somewhat less frequent – because the voices are so seperated. |
|
|
| How much voice crossing is acceptable? |
|
| a good rule of thumb is no more that 20 percent of the piece should have voice cross. |
|
| Where should unisons appear? Strong or weak beat? |
|
|
| Can octaves be used on strong beats? how often? |
|
| yes they can, but they are to be used very infrequently |
|
| avoid more than ___ perfect intervals in a row…. |
|
|
2
;
** Use a mixture of P and IMPerfect intervals; with a preference for imperfect consonances. ( 3 and 6)
;
|
|
| What should you avoid doing with simultaneously in both parts – on white notes? |
|
| Skipping in both voices at the same time… |
|
| What notes are to be used in addition to Bflat? |
|
| only natural notes.; – and only use Bb for a specific purpose. |
|
| What are the only notes that can be used as ficta and only as what? |
|
| F#, C#, and G# – and they can only be used as CADENCES! |
|
| What kind of leaps or skips are PROHIBITED – with the acception of an octave leap? |
|
| Augmented, diminished and any leaps larger than a 6th! |
|
|
What kind of skips of a 6th are to be avoided?
;
;
|
|
| descending skips of 6ths… and also ascending skips of a Major 6th. |
|
| Outlines of what intervals are prohibited? |
|
|
Augmented 4ths and Dimished 5ths ( ie Tritones)
;
* outlines are the interval from a temp high and a low point – or reverse)
|
|
| Use ____ more requently than ____ |
|
|
| What should you do preceed and or follow a skip with? |
|
| Steps in the opposite direction |
|
| avoid more than how many skips in succession? |
|
| avoid more than 2 skips in succession – and if you do use 2 skips in a row keep them SMALL… ie- 3rds!!! |
|
| If you use a combo of skips and steps try to do what? |
|
| try to keep the larger interval below the smaller one |
|
| How many repeated notes in a row is acceptable? |
|
| 2 – avoid any more than 2 |
|
| avoid how many melodic sequences? |
|
| avoid melodic sequences of more than one reiteration |
|
| What should you not do with the highest and lowest points of the piece? |
|
| They are important but you should not over use them to diminish thier importance |
|
| is it ok to use a static line emphasising a single pitch? |
|
| no, avoid a static line and overuse of one pitch |
|
| Stepwise motion through melodic lines are often _____ by ________ in the line |
|
| They are often disguised by diversions in the line |
|
| Quarter notes are most likely found in what kind of motion and in what direction?? |
|
| Quarter notes are most frequently found in stepwise motion and in the SAME direction. |
|
| a single quarter note is only found after what? |
|
| a single quarter note is only found after a dotted half note |
|
| Are quarter rests common? |
|
| No! they are very rare- do not use them |
|
| Pairs of quarter notes are found where? ALSO can they acscend and descend? |
|
| Pairs of quarter notes are found only on the weak beats and they can acsend or descend |
|
| is there a certain number of quarter notes that can follow a white note? |
|
| no, any number of quarter notes can follow a white note. |
|
| when a pair of half notes follow a dotted whole note or a whole note what direction do they usually go? |
|
|
| Where do portamentos( anticipations) usually occur? |
|
| Portamentos occur on the off beat of strong beats only and they resolve down by step |
|
| Where can neighbor notes occur? |
|
Neighbor notes occur on the off beat of strong beats only!
LOWER neighbor notes are much more common that upper neighbor notes. |
|
|
|
| Nota Cambiata is a special idiom of melodic motion that is very common, it is a configuration of a step and descending leap |
|
| When can you leap to a quarter note? |
|
|
1, if it is following a half hone or a dotted half note
(if a single quarter note follows a dotted half you have to leap DOWN and compensated by a change in direction)
|
|
| What should you do when you leap from a quarter note to a white note? |
|
| leave the quarter note by contrary motion |
|
| Downward leaps go from what kind of beat to what kind of beat??? |
|
| they go from the beat to the off-beat – UPWARDS leaps go from off beat to beat. |
|
| Where should your direction go after; a leap? |
|
| It should change direction |
|
| When using black notes what intervals of leaps is acceptable? |
|
| In general keep the leaps small, ie- 3rds and 4ths anything else is unusual. |
|
| Where are 8th notes ( fusas) found? how often should you use them? |
|
| 8th notes are found in pairs on any off beat – they should be stepwise passing notes or lower neighbor notes and only use them occasionally |
|
| Can you have a suspension in quarter notes? |
|
| NO – only with 1/2 and whole notes |
|
| diss unaccented passing notes may occur in ______ in the off beat of what kind of beat? |
|
|
Quarter notes on the off beat of any kind of beat.
;
THEY MUST PASS – that is the other voice must be at least a half note!
|
|
| When a consonant half note on a strong beat is followed by two stepwise descending quarter notes; which note can be dissonant? |
|
|
| when 2 quarter notes on a stong beat are followed by a half…. what does the half note HAVE to be? |
|
| teh half note following the 2 quarters has to be consonant! |
|
| Dissonant lower neighbor notes are _____ on any ____ beat AND Dissonant upper neighbor notes are _____ |
|
| They are ok on any off beat, and upper diss neighbor notes are very rare. – DONT USE EM |
|
| What should portamentos only be used for and how? |
|
| Portamentos are only used to accept a suspension and they should always be consonant |
|
| Can any notes in a cambiata be dissonant? |
|
|
| Portamentos are an ornament for suspensions.. what else is used as an ornament of suspensions? |
|
|
| In what kind of cadence do both the voices go to the cadential goal? |
|
|
| In what kind of cadence does one voice go somewhere else and the other resolves up to the goal? |
|
|
| What kind of cadence does one voice rest, while the other goes to the cadential goal? |
|
|