Monk is known as one of the most unique, Inimitable piano players of all time. Monk was both ahead of his time, and deeply rooted In tradition, and used his extraordinary gift of perfect pitch to learn songs and memorize them fast. Theologies had a love for the Plano from a young age, and grew up In Manhattan around lots of musicians. After falling academically as a young high school student he decided to drop out of school and pursue being a musician. He went on tour with an evangelic healer for 2 years, shortly after dropping out.

When he came back home he was playing out as much as possible. HIS reputation grew as one of the best around as he began to grow. He was co-house plants at a club called “Millions Playhouse” with Bud Powell. The after- hours jam sessions that went on there, along with a number of other jazz clubs, gave birth to what is now known as ‘be-bop. ‘ Musicians he played with were Charlie Parker, Dizzy Gillespie, Mary Lou Williams, Kenny Clarke, Oscar Pettifogs, Max Roach, Tad Demeanor, to name a few. The jam sessions that took place here were inspiring many musicians of the day.

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From the mime Theologies was on the scene this new thing called ‘modern jazz’ was emerging, and people either really liked it or didn’t understand it at all. And Monk was the leader of modern-Jazz. No one was playing the way Monk did, he was just purely original. When Charlie Parker and Dizzy Gillespie had questions regarding music they went to Monk for the answer. Monk was annoyed when he heard people praising ‘Bird’ and ‘Dizzy saying that started the revolution to modern Jazz. Monk said this in an interview with a French ‘Jazz magazine’: “l feel like I have contributed more to modern jazz than all of the other musicians combined.

That’s why I don’t like to hear: ‘Gillespie and Parker’ brought the revolution to Jazz’ When I know most of the ideas came from me. Dizzy and Bird did nothing for me musically, they didn’t teach me anything. ” (the Life and Times of Theologies Monk, book p. 105 Robin D. G. Kelley). Monk was bitter about these guys because they’d get all the gigs meanwhile Monk for 6 years couldn’t even play in the city he grew up In after getting his Cabaret Card taking from him after being falsely arrested for drug possession. The drugs were In fact his friend Bud Powell and Monk took the rap for him.

But Monk found work In gigs during this time often in Brooklyn, or out of town. Jazz was spirit of the country, and Monk’s music was perfect for the time, even though It wasn’t being appreciated by all for what it was. Theologies Monk was born October 10th, 1917 In Rocky Mount, North Carolina, where he spent the first four years of his life. Both Theologies’ parents were son/daughter of slaves that grew up In North Carolina. Theologies was Monk’s fathers, grandfathers, and great- grandfathers’ name. All witnessed the battles that took in their backyards and neighborhood.

The struggle by Theologies read-grandparents and grandparents caused Theologies to feel more fortunate to racism in North Carolina and Join her cousin in New York City. She had to get out of North Carolina so she took her kids up to New York City, leaving behind Monks father, because he was battling a sickness where he couldn’t live with the city air. Monk was the middle brother of one older sister Marion and one younger brother Thomas. The four of them began a new life in Manhattan, in the “San Juan Hill” neighborhood, where racism and violence was happening every day. Theologies had to battle all the races to and from his walk to school.

When he came back there was only one thing he wanted to do, piano. Inspired by Lie Armstrong he originally began with the trumpet. But when his trumpet instructor saw him nodding on the piano he said Mimi goat take up piano. ” So he did. He taught himself how to read music by ease- dropping on his sister’s piano lessons and watching like a hawk over her shoulder as she practiced. When his love for the piano over matched Marina’s she gave them up to him. His teacher then, Simon Wolf, a classical pianist was astonished by Monks ability to read and memorize difficult pieces so fast.

Lessons were an expensive . 75 cents per half hour, and Monks mother scrubbed many floors to be able to afford it. After two years with Wolf, Monk moved on from him to pursue his love of Jazz. It was clear to all who heard Theologies that he was extremely gifted. Monk got in within the stride pianist like Art Datum and Willie “The Lion” Smith and others. These guys got together to share ideas and Jam, all of them being older then Monk Theologies took it as a very important learning period. This type of music helped Theologies develop a very strong left hand technique.

He dropped out of high school to pursue he life of being a piano player. His mother was okay with it as long as he was working and not being a bum. So, when he was 17 he took his first gig and traveled cross country with an evangelic healer and did not return home for two years. All that is really known is that it was a very eye opening experience, seeing miracles happen before his eyes. “We played and she healed. ” Monk was a man of very few words would answer questions with as few words possible. Monk didn’t do drugs, although the media had look as if he was a Junkie.

He wasn’t an idiot savant like people lamed neither, he was shy around the media, but his close friends and family would classify him as a Jouster, and a witty one at that. He was a family man and took his work seriously. Monk was quiet, and his few words were said in a deep tone and often mumbled a lot of people didn’t get him. Monk went to the beat of his own drum. All he worried about was making sure his family had a place to eat and sleep and tried to make it as comfortable as possible; and making music. He would go out on stage with the big diamond on his finger, and wearing eccentric hats and fur coats.

To his fans, he was the hippest guy around; to the others they didn’t get him and were more than likely Just racist and wanted nothing to do with “That type” of music. Monk played everything different, never two things alike. In a time where all musicians wanted to play as many notes as possible, Monk loved to use space and silence in his solo’s, sometimes dropping out completely Just to see what would happen. He believed the loudest note was silence. Critics were displeased by Monk’s unique style, and it took some getting used to him before he got to where he really broke through professionally.

Musically he had been what he called “His way’ since he was 15 years old. But in the ass’s and ass’s besides gigs here and there with bands have anything long term. But it all changed after tenor saxophonist Coleman Hawkins hired him first to play for a lengthy amount of time and also to record an album in 1944. Suddenly there were a lot more people on the Monk bandwagon. In 1947, at age 30 Monk made his first album as a leader with Blue Note. Blue Note allowed Monk to choose his band members for the album. Theologies, who had already been on the Jazz scene for half his life, chose musicians who weren’t well know yet.

Guys like ‘dress Sullivan and George Await; Sahib’s Shiva and seventeen-year-old Danny Quebec West on alto saxophones; Billy Smith on tenor; and bassists Gene Ramey and John Simmons. On some recordings Monk employed Count Basis drummer Rosier “Shadow’ Wilson; and on others, the drums was Art Blakely. For his last Blue Note session as a leader in 1952, Monk was surrounded by an all-star band, including Kenny Dirham (trumpet), Lou Donaldson (alto), “Lucky’ Thompson (tenor), Nelson Boyd (bass), and Max Roach (drums).

In the end, although all of Monks Blue Note ides are hailed today as some of his greatest recordings, at the time of their release in the late sass and early sass, they proved to be a commercial failure. Monk went on to record albums with Prestige, Riverside, and Columbia. Monk was the second most recorded Jazz pianist only to Duke Longtime. As Monk grew old he is classified with a “chemical imbalance” and diagnosed as bi-polar. He continued to tour, doing world tours late in his career, but he slowly was losing that magic touch. He declined physically and mentally, he was mixing medications and getting sick a lot.

In 1965 His outs with bi-polar were getting worse and worse. Getting more and more disconnected from the world then he was to begin with, he decides to focus on his health and his family. Until 1977 Monk was playing only very occasional gigs and in 1977 he retired. Theologies lived another 5 years before having a stroke and dying. Theologies is remember and respected as one of the few Jazz Giants. His musical genius is that unlike anyone else’s. He contributed many great standards to be enjoyed for hopefully decades to come. It was a rough road, but the music which was made by the man, Theologies Monk, was pure genius.