T. Brown basically proposes methods for analyzing music and anyone who reads the books should be able to develop techniques for listening to music and making legitimate statements about It. It treats rock and roll as a serious art form and traces it cultural roots throughout the book. Chapter one discusses the elements of rock and makes four assumptions. Assumption one states that rock Is a legitimate art form. An art form Is defined as a creative act that springs from the artist’s experience as It reflects or reacts against society.
It then states that acculturation, a process by which a certain people are influenced by a foreign culture, changed the Afro- Americans from their original culture to one that was a mixture of U. S. Influences and African roots which played a large part In the way rock and roll sounds today. Brown proves rock Is a legitimate art form by talking about its audience and its lasting power. Assumption two states that rocks roots are in folk, Jazz, and pop music. Musicians who first started rock and roll must have had something to base their music on which turned out to be primarily folk, Jazz, and pop.
Hire a custom writer who has experience.
It's time for you to submit amazing papers!
They simple changed the pattern and style of that music and started forming rock. Assumption three states that it is just as valid to study rock and roll as European classical music. Rock will prove to be a valid means of producing competent musicians and that It demands the same type of performance as In any musical form, Since It Is a valid way In which to study music In general It Is just as valid to start with rock as starting anywhere else. Assumption four states that simple musical analysis of selected compositions is a primary tool for understanding musical evolution.
Through musical analysis we are able to generalize and say that rock from a certain era has common characteristics. By doing this we are able to see what influences lead rock to where it is today. The chapter then goes on to discuss the elements of music which are nonverbal communication, melody, rhythm, harmony, lyrics, and performance. Music is nonverbal In that It communicates through organized sound and Is difficult to translate, the other elements are what make the sound organized and meaningful. Melody is an organized set of notes consisting of different pitches.
It is basically the up and down motion of the lead singer. Rhythm is those beat of patterns that underlie most forms of communications. It Is made up of pulsations that follow a consistent pattern. It will sometimes show us the emotional feel of a song. Harmony is the simultaneous sounding of two or more notes at the same time. It provides a texture for the total song. Lyrics are the words used in the song and usually tell us what the song and mood of the song Is about. Performance tells us the purpose, function, and impact of a certain song.
Music generally reflects the value of society. By using the elements of music you took on an attitude of rebellion and eventually became a symbol of independence for outs Chapter two discusses the listening skill needed to better understand music. Through listening we can define the social impact of a rock group and its musical style. This purpose of this chapter is to outline ways in which the individual can create his or her own system of analysis. The chapter then goes on describing what you need to do while listening to music to better analyze it.
First you need concentration, you need to change your attitude towards the music you hear everyday and block out any interference, we must treat it seriously and analyze it fairly even if we we don’t like it. Then you need to dissect what your hearing. You have to decide what to use for a reference point and listen to the song more than once. Your first time listening to it you should get general idea of what the song is like, what its about, and what it has. After that you add more information by listening to each part of the music individually.
Lyrics are the easiest to analyze. You must write all the lyrics down and figure out if there is a verse structure. The chapter then goes into the different types of Melody. First there is the Soprano- lead melody. The lead melody is sometimes called the soprano melody which means the highest melody. Then there is the bass melody, which is normally played by an instrument rather then sung. It is halfway between melody and rhythm, or beat. It is usually low sounding, repetitive and continuous.
It is the foundation for the instrumental ensemble. Instruments are another part of melody. It is the instruments that give rock and roll its character and beat. The drums provide the beat, the guitars provide continuous rhythm, and the bass guitar plays the bass melody. When analyzing you must also recognize the Rhythm and Harmony. They both determine the complexity of the composition and we must become aware f changes in rhythm or harmony because they indicate changes in the song. Chapter three discusses the sources of Rock.
Slave music was important because when they were brought to the United states they also brought with them their music which was blues and later on early Jazz. Acculturation began as soon as their were American-born slaves. They would sing work songs which were basically chants which later on formed to become blues. As blues developed so did early forms of Jazz. One of these forms was the cakewalk was the cakewalk which was a danced step used to make fun of how stiff the white man walked and later on became the iris truly Afro-American dance step.
Another form was Ragtime which was a piano style which has four main themes. Then came along other piano styles such as stride, Dixieland, and the boogie-woozier which was the first obvious influence for rock and roll. In the sass’s blues took on a different character because of changes in society, black musicians developed big bands and blues singers continued to have great importance which eventually fostered rhythm and blues. Rock and roll started to develop in the last part of the sass’s mainly because of the start of the removal of the lour line between musicians. Chapter four discusses early rock.
They started to somewhat define the rock category by saying that rock uses certain rhythmic devices, its lyrics and Jargon came use a blues progression, and the basic style of performance is continuous shouting by the singer and continuous playing by the instrumentalists. There were different types of songs that started to show the development of rock. Shouting, songs in which lyrics were shouted over the band background, was a predominant style of early rock and the foundation for the careers of famous rock musicians. Ballad singing is also an important part of early rock and roll, it is a big band tune from rhythm and blues tradition.
Then there was novelties , which were a third kind of rock song. It was a song with some gimmick that makes it catchy. During the sass’s most Americans felt secure, we started to see ourselves as a world power. We were involved in the cold war and blacks had started their movements. Because of the cultural situation rock and roll became a focal point for rebellion. The marketing techniques were very primitive, but started to turn rock and roll into a multimillion dollar business. Chapter five discusses Bill Haley and the Comets and how they set a model for rock and roll.
There is not much to be said about this chapter because Haley wasn’t a great musician and others would come after him and do a better Job at music then he did, but he was essentially one of the first groups to use the elements of music just right to be labeled a rock and roll musician. Chapter six talks about a person who was far more important in giving rock and roll its lasting power then Bill Haley and that person was Elvis Presley. Presley had Musical and personal qualities that far surpassed Haley. Presley opened up markets or other musicians and served as a symbol for the development of marketing techniques.
He influenced a tremendous number of musicians. There were other musicians who came from Memphis and were labeled the Memphis Mafia. They produced a more marketable combination of records using ballads and novelties. Country was also influenced by this wave of new rock musicians and created the Nashville sound. Some rockabilly musicians include Johnny Cash, who was more influential in folk music as he developed his style, Buddy Holly, who could have contributed to rock Just as much as Presley did if he had lived anger, Jerry Lee Lewis, who was one of the first rock and roll piano players, and Carl Perkins.
Chapter seven talks about the broadening of the music style and the performers who came out of this period. During this time, sass’s, rock had become legitimated as a category all on its own. By this time there were four different types of rock and roll: Rhythm and Blues/shouting, crooning, specialty songs, and novelty/monster songs. Free acculturation also came into play around this time. Ray Charles is the musician who legitimated this position. Arbitration of rock and roll from rural to urban blues led to the circumstances n which rock and roll could be marketed.
Rock and Roll began as a rough form of music. Became urban blues form, and then eventually took in other forms in order to expand its market. Ballads became significant in the sass’s because they expanded the listening audience and in turn gained acceptance by the public. The first ballads predate the invention of the term rock an roll. Chapter eight focuses on soul/midtown music. This music had great influence messages and new means to communicate. Rock around this time relied heavily on the rhythm section because the style was vocally dominated. Also around this time
Memphis played a more important part because it became a center for studio recording. Because of the popularity of gospel and soul along with rhythm and blues, billboard combined the categories into one called soul. Midtown was formed by dope groups and did fairly well. Sixty-seven percent of the singles that came out of midtown music hit the top of the charts. Chapter nine talks about one of the greatest influences on Rock and Roll which were the Battles. Their musical style is defined in three periods which are early battle, 1962-1964, middle battles,1965-1966, and late battles 1967- 1969.
The early battles had the following characteristics: Simple lyrics, Simple background accompaniment, Rock sound from the sass’s, Simple drumbeat and rhythmic patters, Simple bass lines, and domination by lead singer or unison singing. In their early era they Just sang songs for that had little or no meaning and did not have any relationship with each other. The rhythmic patterns were simple with little riff orientation. The Middle battles had different style of singing which can be characterized as poetically more complex lyrics, Symbolic lyrics, More creative music,
Universal point of view, sometimes critical words, growing dissension among group members, more guitar oriented and less percussive, folklore, more complicated guitar sounds and electronics, more subjects in musical lyrics, and better background accompaniment. The battles came into their own during this period. The technical era was more complex. The albums began to show some continuity and there was logic in which the way the songs were placed. The late battles music can be characterized by electronic music, studio music, technically precise music, mystical allusions, and total communication.
The music during this time was both diverse and homogeneous. They were able to make each song and each album tie into each other successfully. The musical style was interwoven with the message of the singing. Chapter ten talks about California and what it gave to rock and roll. California was seen as a kind of utopia around the sass’s so people wanted to go there, especially southern California. They were really into surfing music, which created such groups as The Beach Boys, and some were more into insuring groups, which were such groups as The Doors.
Both of these major groups came out of California around this mime. In northern California, cities such as San Francisco developed themselves as the center of movement, and musically, folk music turned into a particular kind of rock. The sound that it turned into can be defined as acid rock or psychedelic rock, which means that it is associated with LSI, or acid. It became associated with very loud music and use of electronic amplification. This new development was important to rock because it united rocks identification with rebellion, something it had lost for a while.
Chapter eleven discusses Folk-rock and how it came about. Folk music is usually fined as the music of the people, it usually expresses the feelings of one particular area or group. It has many different aspects. Rock, Jazz, country, and other musical textures were added experimentally, leading to fusion. Bob Dylan is a musician who played great folk music, he is responsible for raising the sophistication level of the shift in attitudes was partially caused by the technological explosion. Communications systems became much more sophisticated, and information was available instantly.
From here on the book goes on to discuss the different forms of rock that came bout. Chapter twelve focuses towards English Rock. English rock has a distinctive sound for several reasons: Depending on their upbringing, the musicians sing with a distinctive accent; There is a slight influence of skiff’s in the beginning stages of music from the sass’s; The technology of the amplified sound is different in that the amplifiers are set to amplify the harmonic spectrum differently; Musical symbolism tends to be different and draws from the literary tradition of Europe; The blending of voices tends to be less emotional.
Three groups who popularized English rock in America after the Battles were The Rolling Stones, The Who, and Elton John. They capitalized on the attitudes of the times which were sometimes tasteless and inimitableness. The Rolling Stones and The Who eventually have an impact on punk and new wave. Elton John proves the lasting impact of a pianist and a vocalist. Chapter thirteen goes onto art and eclectic rock. Art rock is a term that defines music that either has higher pretensions than standard rock or imitates another style that has been recognized as art.
Eclectic rock is a term applied to anything considered to be unusual. The chapter presents a mixture of styles tied together by the experimental quality of the music All of it was generally a fusion of rock and roll with western or monoester art music. Some musicians that represent this period are The Kinks, Frank Kappa, and Rush Just to name a few. Chapter fourteen moves on to Country rock. It is analogous to rock music after the middle Battles period in that it uses elements of different kinds of music.
Country rock is a combination of pop, folk, Jazz, rock, and country music. Country rock has a a few distinct elements. A band normally uses heavy amplification of the guitar instruments, the lyrics are most uncharacteristic of straight country music, and the musicians look different from traditional country musicians. One of the most important characteristics of country rock was the emergence of the songwriter as the narrator and the expression of southern pride.
Some bands that represent country rock are Alabama, Charlie Daniels Band, the Eagles, the Grateful Dead, and Lanyard Snyder. Chapter fifteen moves onto Jazz-rock, funk, and disco. Because there were many attitudes at the same time in the sass’s, the idea of art forms merging into something called fusion makes sense. The fusion music of the ass’s has had an enormous commercial impact, and all three types of music were financially successful. All three movements have strong Jazz roots.
Jazz-rock had some significance, it had some very competent musicians and began to make contributions to the rock technique, rock became more complicated as a result, the commercial value of rock was made broader, many electronic devices became commonplace in both Jazz and rock, and jazz influences began to further legitimate rock as a serious form of communication. Funk is a way of defining the music as having various sexual and social meanings. Funk evolved from soul and became a way of life within the black community. Funk can be aggressive and its musical structure combines both softness and harshness. S simply good-time music that is optimistic and without social comment. Chapter sixteen talks about the emergence of heavy metal. Heavy Metal is commonly described as being loud music. The elements of heavy metal consist of heavy use of electronic devices, high volume, a thick cluttered sound where all musical elements combine to establish the sense of power, and a sound mix where the vocals are buried within the texture. Classical metal was a period in which there was a definitive split between British and American styles occurred and it was at this time that heavy metal became a separate style of rock and roll.
Mainstream metal is a style that is fully developed, evolves into equal strength in all instruments and vocal aspects of the band unit, and settles into a very acceptable level of musical competence. Heavy metal became more mainstream in the sass’s. The terms Thrash/Speed/Death came later on in the heavy metal period. Thrash was heavy metal instrumental style with neo-punk lyrics. Speed metal is the evolution of mainstream American heavy metal, incorporating long melodic phrases and fast tempos. Death metal is a particular style which is defined by its lyrics with words like death, hell, blood, etc.
Chapter seventeen moves onto punk, new wave, and alternative music. Punk is a term applied to a child or teenager who acts in a antisocial way. Punk was a form of rebellion, it turned against all other musical forms of the sass’s. It is considered the third rock evolution following the formation of rock and roll and the Battles. The music was as much cultural as it was musical. It was anarchic, against society, and against everything in the established order. New wave refers to new music, sometimes meaning contemporary music.
New wave was generally the philosophy of life that manifested itself in certain kinds of music. Alternative music is music that represents another option to what is already commercially viable or has been classified. Alternative groups have a short term following because they either become more mainstream or get other Jobs. It has little lasting impact on rock and roll, but occasionally will have real impact. Chapter eighteen is the final chapter and discusses Techno-funk/pop, Rap, MET, Dance music, and the future. Techno-funk was the standard way of defining what was happening.
The technology of the time created the means to market rock which was through videotapes. Techno-funk/pop was more dominant in 1985 than any other time. Rap is a form of music that features a strong rhythm section, with the slap bass so important to funk, soul, and reggae. The rapper tells his message in a punctuated style. Other aspects of rap that are important are the scratching style, dance steps, mouth beat box, and breaking. Pop rock was generally called dance music. In terms of attitude it represents a growing commercial period in rock.
MET ad an impact on the relative success of the various kinds of music as well as the buying habits of younger viewers. Charge T. Brown concludes the book by stating the basic premises he established throughout the book which are the following: 1 . Rock is a legitimate are form, with its own technique and its own complexity. 2. Like any art form, it has its highs and lows. 3. We can trace cycles in rock, which seem to correlate with social views. 4. Rock has had a major influence on society and other art forms. 5. Although it began as a way for youth to rebel against their parents, rock in now a generations all over the world.