University of Oregon hosted one of their Jazz Cafe performances. This was primarily a showcase for music majors and graduate students. Held at the Ball Concert Hall, the performances featured many blossoming musicians with an assortment of unique musical combos. This was a perfect opportunity to experience such a wide variety of music, which for the novice Jazz listener, was prefer. It wasn’t Just the music, however, that mm:led this performance a success. It was the atmosphere. Low lighting coupled with candlelit tables made for a read romantic date.
Although the place was packed to capacity, the feel of the atmosphere remained calm and relaxing. There was a pleasantness and ease about the whole performance. One of the great things about this performance was the new Dalton of duos. These I really enjoyed because It seemed a whole lot easier 10 hear and dissect the music. The first song that r heard was the duo with two people on the piano. Admittedly after the song began, I picked up on some familiar sounds to that offer time. There was a simple right hand melody being played, which gave it a lawful sound.
The next performance was a duet with a piano and tenor sax. One army favorite performances of the night, it had an eerie and mysterious sound due 10 the play with minor keys. There was a strong emphasis on the call and response or antiphons aspect, especially at the beginning afternoon. These ofminorkeysandnotesproducedclashingsounds teatimes during lee performance. In this duet we got 10 see bits and pieces efface instrument both the piano and the sax. One technique the saxophone seemed to be using was the repeating of arpeggios. The piano would pick up strong at the same time and then die down again.
There was such an edgy sound to this performance. Straight from an Alfred Hitchcock movie or something, this music had everything I wanted to hear. Towards the end, we start to see ‘he music reaching this climatic end and then it suddenly stopped. The next pigmentation showed a duet between a trumpet and tenor saxophone. The song begins really slowly and really never picks up much. The tenor sax begins and then it is followed by ‘he trumpet. This combination and the way the USIA is presented gives oft a real melancholy feel. II has a depressed sound.
The two Instruments are going back and toroth overlapping each other and In the process get higher and higher. This song entitled “l heard It Through the Grapevine,” was done with a duet between a bass and piano. The bass begins and uses very strong plucks to emphasize the melody. The bass get a little rougher and Len the Plano kicks In. Using a 4/4 time on lee left hand only and the bassist playing chords l; 3 with right hand. This music definitely has a touch offices and soul. Its deep beats ND repealed bass lines (Ostentation) makes your feet begin to t-p and head nod.
Towards the end of the song the Plano begins to take charge using right hand chords only. He begins to freestyle using his right hand, repeating various notes and scales. The piano produces fast scales and uses bottom chords. Eventually the piano begins 10 soften and the music fades away. This was an example off technique called retardation, which is a gradual decrease in tempo. Jazz Essay Review By Marco addition of duos. These I really enjoyed because it seemed a whole lot easier 10 hear fminorkeysandnotesproducedclashingsounds teatimes during ‘he performance.