Assiduity According to Patricia Hill Collins In “The Power of Self-Definition,” creating a safe space Is Important part of empowerment because: In “The Power of Self-Definition,” Patricia Hill Collins stresses that self-reliance, self- knowledge, and self-valuation are necessary to empower Black women to create their own self-definitions. According to Patricia Hill Collins, what are “controlling images”? Patrol Hill Collins defines “self-valuation” as: When professor Isabel showed the class the spoken word poems by Bridget Gray, she said they were an example of:
According to Patricia Hill Collins, what was Billie Holidays purpose for singing “God Bless the Child”? According to Patricia Hill Collins, constructing your own standards is important because: “the Insistence on Black women’s self-definitions airframes the entire dialogue. ” How is this dialogue referred? What Is the definition of “rhetoric’? Hip hop culture is an extension of the African American Oral Tradition. According to Secondly D. Bough, “bringing wreck” means: According to Secondly D.
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Bough’s “l Bring Wreck,” the rhetorical strategy of “bringing wreck” Is used by Black female Masc. to: As discussed in lecture, Queen Lath’s “U. N. I. T. Y. ” is: Why does Secondly D. Bough compare Common’s “l used to Love H. E. R. ” with Eureka Baud’s “(Hip Hop) Love of My Life”? In Patrol Hill Collins’ “The Power of Self-Deflation,” the author explains that there are three “safe spaces” where Black women have been able to build a self-defined and collective standpoint.
What are these three spaces? Bringing wreck is a decided act, Secondly Bough argues, not an unavoidable breaking point. The women of the Hip-Hop generation who enact rhetoric of wreck do so after a conscious decision to speak out. Why are they bringing wreck? Secondly Bough believes that having women’s voices represented via Hip-Hop in the larger public sphere opens the door for a wealth of possibilities in terms of the validation of Black female voice and Black women’s agency.
Secondly Bough argues that the growing scholarship of women in rap music provides a rich starting ground for explorations into the ways Black women use the whole of Hip-Hop culture to not only exert agency, claim voice, grapple with and create images, negotiate sexual and body politics, evoke Black feminism, continue lineages, and empower themselves, but also: In “Women, Rap, and the Rhetoric of Wreck,” Bough states that Queen Latish identifies as a feminist.
Bough analyzes Queen Lath’s impact on negative representations of Black women by examining how Latish challenges the image of the “gangs pitch” and questions the usefulness of this image to Black women. Why is this critique important? Why does Secondly Bough quote these lines from Jessica Care Moor’s poem “I’m a Hip-Hop Cheerleader”: “I’ll scream the HAY’s/I’ll tolerate all your hoes” in “Women, Rap, and the Rhetoric of Wreck”? Hip Hop culture began as a cultural and political movement in the Bronx, NYC in the early sass and includes what forms of expression? What is cultural appropriation?
Professor Isabel used a metaphor in class to help explain how language works: “Just as there is no neutral way of dressing, there is no neutral way of speaking or writing. ” What does this statement mean? African American Vernacular English (EAVE), or Black Vernacular English (BE) is considered a dialect, but embodies all of the classic definitions of a language. According to Humanities lecture, why is EAVE not considered a language in its own right? In Hip Hop: Beyond Beats and Rhymes, DRP. James Peterson argues, “there are monuments to masculinity for the people who live and breathe hip-hop culture.
One of them is verbal ability, and the second piece is: The documentary Hip Hop: Beyond Beats and Rhymes explains the origins of hip hop culture, conceptualizing the creation of the culture through the lens of the economic and political disenfranchisement of poor Black and Latino youth in the Bronx in the that was very improvisational energy, a very sort of reclaiming energy that young folks, through dance, through rapping and D], so on and so forth, that is how the culture took hold. It was a (fill in the blank) . And when I say violence, I mean like destroying homes.
Imagine somebody putting a highway through your neighborhood, then you can understand hip-hop. ” According to DRP. Jewell Cob in Hip Hop: Beyond Beats and Rhymes, why are braggadocio and boast so central to the history of Hip Hop? Hip Hop: Beyond Beats and Rhymes gave several examples of homoerotic in Hip Hop. DRP. Michael Eric Tyson argues that Snoop Dogs lyric “It anti no fun if my homiest can’t have none” and Knells “l said it anti no fun until we all get some” are homoerotic because: Carmen Assures-Watson, former President of Deaf Jam records, explains in Hip Hop:
Beyond Beats and Rhymes that “gangster music” became popular when? Chuck D. From Public Enemy and Carmen Assures-Watson (Hip Hop: Beyond Beats and Rhymes) both agree that when corporate record labels began producing rap music, the music became “less conscious” because: Judaism and DRP. James Patterson Watson (Hip Hop: Beyond Beats and Rhymes) both explain the largest consumers of Hip Hop music are: Judaism Watson (Hip Hop: Beyond Beats and Rhymes) argues that the material released by record labels is dictated by record sales. He explains, “after you scan past it’s all white people… E white people want to hear that killing and everything. ” According to Professor Sable’s lecture, an interjectional analysis of sexism in Hip Hop culture is important because: In Hip Hop: Beyond Beats and Rhymes, Chuck D argues that is the cancer of black manhood in the world. They have one-dimensionality us and commodities us into being a one-trick image. ” At the end of Hip Hop: Beyond Beats and Rhymes, Chuck D. Offers advice to Hip Hop musicians, telling them they are the only ones who can “turn the tide,” and to “be a man. ” What is his definition off man?
The synopsis of the documentary Diagnosing Difference: An Examination of the Psycho-social Impact of the Gender Identity Disorder Diagnosis on Transgender Lives explains, “historically, non-trans medical and mental health care professionals have positioned themselves as the ‘experts’ on transgender experience, creating aspect of life. Diagnosing Difference shifts the focus to explore: In Diagnosing Difference: An Examination of the Psycho-social Impact of the Gender Identity Disorder Diagnosis on Transgender Lives, Dylan Schooling’s says that “At the age of 1 5, after two suicide attempts… Parents were concerned for my happiness and concerned for my safety and went to the school counselor. The school counselor said, Well, all we can recommend is that you lock her up. ‘ You know, that was really the only alternative that was given to them. And at that point, if they wouldn’t have locked me up, they would have been seen as bad parents. So I end up going to the hospital, very much against my will, and within a half an hour I’m diagnosed with this gender thing present since Grade 3, is how it’s written down in my chart. ” What was Dylan “treatment” while institutionalized?
Identity Disorder Diagnosis on Transgender Lives, Dylan Schooling’s says, “l was actually being treated more for how other people were feeling… ‘ wasn’t learning how to love myself, you know, I was learning sustainable. ” . And that’s not Diagnosing Difference explores many misconceptions about trans* people’s lives, including the idea that all trans* people want genital reconstruction surgery. Adele 41 . Vazquez says that she doesn’t need to change her genitals to consider herself a woman-?she’s a “woman who happens to have a prostate. ” including the idea that all trans* people should work very hard to “pass” as a articulator gender.
Adele Vazquez names this as passing discrimination, explaining that not everyone can or wants to pass. Instead, she recommends: Shawn Virago (Diagnosing Difference) explains that trans* people are always asked to “come up with an origin myth” and explain “when did you know you were trans*? ” She goes on to say, “So we have to kind of come up with explanations. So people have these theories on how we are this way. And so, that’s really what KID is, According to Diagnosing Difference, being transgender is an invention of the American Psychiatric Association or the medical establishment.