I Basso continuo* I The bass line that Is filled In by chords by various Instruments even though written for one, I Routinely* I In a fast movement of a concerto, recurring thematic material played at the beginning and repeating varied throughout. I Libretto I Literary text for an opera or other musical stage work. I Castrato* I Castrated male singers – to sing castrato. I Monotheistic I one theme. I Sonata* I Genre in several movements for one or more instruments/baroque instrumental piece with contrasting movements often with imitative counterpoint.

I Monody I An accompanied solo song/texture of solo singer and accompaniment. Concerto* I Composition for a solo Instrument or instruments accompanied by an orchestra mainly. Large scale. I Mass I Musical work setting the texts of the ordinary of the mass. I Fugue* I Imitative section that is based on a single subject beginning with successive statements of the subject. I Motet* I Polyphonic vocal composition. Sacred,’secular text in Latin or French. I Canon I Instrumental work adapted from a chanson/several contrasting sections often in imitative counterpoint.

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I Ricer I Elaborate instrumental composition in fugal or canonic style. I In nominee I English polyphonic instrumental music, many imposition were given this name. I Concertina I A mixture of the symphony and the concerto genres: a concerto in that one or more soloists are on prominent display with symphony orchestra accompaniment. I Intermediate I Musical interlude on a pastoral, mythological subject performed before, between or after the acts of a spoken comedy or tragedy. I Aria I A long, accompanied song for a solo voice, typically one in an opera or oratorio.

I Sonata De chaise* I Intended for performance in the church – slow fast slow fast, one of more treble instruments and continuo. I Sonata De camera* I A suite of stylized dances, scored for one or ore treble Instruments and continuo. I Toccata* I Piece of keyboard Instrument or lute resembling an Improvisation that may Include Emulative sections or may serve as a prelude to an independent fugue. I Prelude* I Introductory piece for solo instrument in a style of improvisation. Of introductory movement in a suite or opera.

I Fantasia I Imitative piece on a single subject/composition that resembles Improvisation and lacks strict form. I Piccalilli* I Baroque genre of variations over a repeated bass line or harmonic progression in triple meter. I Suite* I Setoffs stylized dance pieces, baroque pieces linked together into a single work. I continuous movement with an upbeat. First off dance suite. I Accurate I Dance in binary form in compound meter at a moderate tempo and with an upbeat. Part of a dance suite.

I Serenade I French baroque music, slow dance in binary form and n triple meter, often emphasizing the second beat. Standard movement of a suite. I Segue I Binary form marked by fast compound meter with wide melodic leaps and continuous triplets. Typically begin with imitation. I Minuet I Dance in moderate triple meter, two- measure units and binary form. I Bourne I Quick French dance in double time. I Confusion I Italian opera overture/early symphony/abstract ensemble piece, introduction to vocal work.

I Cantata* I Form of Lutheran church music combining poetic texts with texts drawn from chorales or the bible. I Chorale* I Strophic hymn n the Lutheran tradition, sung by the congregation. I Parody* I Changing or recycling existing (usually very well known) musical ideas or lyrics/copying the peculiar style off composer or artist, or even a general style of music. I Streets* I A section of a fugue in which successive introductions of the subject enter at shorter intervals than before, increasing the sense of excitement.